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The studio contains five tracks and sixteen binary steps per track, giving eighty possible trigger positions. A button toggles a selected entry between zero and one. The cinematic preset includes four kicks, two snares and four hi-hats. At twenty pixels per active cue, those counts measure eighty, forty and eighty pixels. Presets deep-copy their matrices, so later edits change the working copy. These are synthesized pattern instructions rather than a recording or reconstruction of an artist song. Playback requires the audio library and user interaction; this offline verification does not claim audible output. The cinematic preset runs at one hundred twenty two beats per minute. Sixteen sixteenth-note steps occupy four beats, giving a nominal loop of two hundred forty divided by tempo seconds. That is about one point nine six seven seconds for cinematic, one point eight seven five for the club preset at one hundred twenty eight, and two point three zero eight for the intro at one hundred four. At one hundred pixels per second those bars measure one hundred ninety six point seven, one hundred eighty seven point five and two hundred thirty point eight. Tempo changes interval scheduling, not the number of step positions or the selected note maps. Clear replaces all five arrays with sixteen zeros, removing eighty possible active entries without resetting tempo or preset name. Mute flags govern playback separately from the pattern. The JSON release package exports the five pattern arrays, tempo, filter cutoff and reverb percentage. It omits resonance and the mute flags, so that file alone does not capture every mixer setting. Five pattern rows and zero exported mute fields are shown at sixty pixels per field or row, giving three hundred pixels and zero. Exporting this configuration does not render audio, confirm a release notice or authenticate rights to a song.