Arrange sample track names and authored durations. Order changes the planning sequence; no audio or film is edited.
Arrange sample track names and authored durations. Order changes the planning sequence; no audio or film is edited.
Does this blueprint confirm a cinema release or a finished film?
No. It stores a sample track sequence and format labels, computes authored scores, and exports a hypothetical brief. Selecting Dolby Atmos, IMAX or a title does not book screens, master media or establish permission to distribute it.
Track durations, interlude allowance and commercial multipliers are authored inputs. No audio/video, ticket inventory, release calendar, rights records or master files are inspected. The fixed October 2026 window and milestone strip are illustrative; they do not track edits or production status.
The five baseline durations total 30 minutes 40 seconds. The tool rounds that to 31 minutes and adds a fixed 104-minute interlude allowance, yielding 135 minutes. Moving a track changes order but not duration. Removing Paranoid (3:10) gives 27:30 of music, rounded to 28 plus 104 = 132 minutes. These are planning totals, not either film’s certified runtime.
Ozzy’s official film archive dates The End of the End to 28 September 2017 and describes footage from The End tour with interviews. It is not the title of the announced October 2026 film. Ozzy official film archive: The End of the End
The 16 September 2026 official announcement identifies Ozzy & Black Sabbath: Back to the Beginning, produced by Mercury Studios and released by Trafalgar Releasing, with cinema events beginning 28 October 2026. It specifies Dolby Atmos and 5.1. This does not validate this planner’s sample setlist, durations, IMAX tier, 4K label or disc milestone. Ozzy official announcement: Back to the Beginning cinema release
The revenue display starts at 12.2 and applies fixed venue, Atmos and track-count multipliers. It has no sales data, ticket-price model, attendance sample or costs. Reordering tracks does not alter it. The checklist starts at 70, then adds 15 for at least five tracks, 10 for an Atmos label and 5 for a 4K label; a 100% score is not evidence of operational readiness.
Use arrows to move tracks, remove unwanted entries and add catalog choices. Repeated songs are allowed. Reset restores the sample sequence and assumed formats. JSON preserves the resulting order and scope; copied text stays labeled as a hypothetical brief. Review any real project’s title, permissions, master deliverables and venue agreements separately before treating it as publishable.
2017 film identity and historical context.
2026 title, announced start date, producer/distributor and audio formats; not planner fixtures.