Build an arrangement without rewriting the event
Which parts are reported history, and which are your mix?
Arrange performers and songs, change the three mix controls, and export your imagined tribute. The starting three slots, chord loops, mood tags, crowd score, and waveform are authored examples rather than a recording or verified concert running order.
Independent educational arranger. No artist audio or venue measurements are supplied. Synthesized chords require the optional Tone.js library; without it the preview shows a visual timeline only. JSON and text exports contain your arrangement, not audio or an official BMI setlist.
Try a worked example
At the default settings, the toy score is 65 + 0.90×15 + 0.80×10 + 0.65×5 + 4 + 3 + 3 = 99.75, rounded and capped at 100. The last three bonuses depend on named performers/pairings. Reordering alone cannot change this score because the formula does not inspect order.
Check the ceremony against BMI’s report
BMI honored Sheryl Crow in Nashville on September 14, 2026; its report was published the next day. BMI: Official Sheryl Crow Troubadour report
The reported performance sequence was Jason Isbell (“Run Baby Run”), Melissa Etheridge (“If It Makes You Happy”), Eric Church (“Leaving Las Vegas”), Lauren Daigle (“Everyday Is a Winding Road”), Chris Stapleton (“I Shall Believe”), and Olivia Rodrigo (“Strong Enough”) closing. BMI: Official Sheryl Crow Troubadour report
The starter puts Rodrigo first and assigns different songs to Stapleton and Church. Treat it as a creative fixture. Emmylou Harris and any new song–performer combinations are selectable ideas, not confirmed event performances. BMI describes Brandi Carlile contributing video remarks, not a performance in that sequence. BMI: Official Sheryl Crow Troubadour report
Interpret the controls and previews
Cheer is a synthetic noise/mood setting; warmth controls a synthesizer filter; reverb changes an effect wet mix. None measures actual applause, acoustic warmth, or Nashville hall reverberation. A performer label does not synthesize that person’s voice.
Each slot auditions four stored chord symbols at 700-millisecond intervals. The all-setlist preview advances slots every three seconds. These loops are generic musical placeholders, not verified transcriptions or song durations. The drawn wave is generated from a sine/cosine formula, not sampled audio.
Use the JSON to inspect chord symbols, order, and settings, or the text export for a simple run sheet. If documenting a real show, use the primary event report to verify each performance before labeling it historical.
Sources and further reading