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Week 1 of 6 • Module Overview
The Architecture of Rhythm: Inversion, Space & Syncopation
Stylistic Era: Early Grateful Dead & Neal Cassady Years (1965–1970)
An examination of Bob Weir’s unique self-invented rhythm guitar role in the Grateful Dead. Influenced by pianist McCoy Tyner’s voicings in John Coltrane’s quartet, Weir avoided root notes to weave around Jerry Garcia’s lead and Phil Lesh’s counterpoint bass lines.
Guest Speaker: Jesse JarnowThe Early Bay Area Psychedelic Milieu
Author of Heads: A Biography of Psychedelic America and co-host of the Good Ol' Grateful Deadcast, detailing Weir's formative teenage immersion at 710 Ashbury and Neal Cassady's cadences.
♫ Assigned Listening & Stems
✎ Seminar Prompts & Texts
"How does Weir's avoidance of first-position cowboy chords in early modal excursions allow Jerry Garcia and Phil Lesh harmonic mobility?"
Assigned Reading & Archives
Gans, David. Conversations with the Dead, Chapter 4: "Weir on McCoy Tyner and Rhythm Architecture."
Student Learning Objective
Identify chord inversions on upper guitar registers and diagram rhythm interactions in a 1968 live recording.