A practical video shot list

Make the next
shot obvious.

One row should tell the crew what to capture, how to approach it, why it matters and whether it still needs shooting. Start with twelve useful columns, then keep the list current.

Original illustration of three planned camera shots and their capture checklist

Twelve columns.
One readable decision.

A shot list is a plan of individual shots, not the screenplay or a call sheet. This compact framework combines closely related details so a small video crew can scan it quickly. Twelve is an editorial starting point, not an industry mandate; add separate technical fields in your wider production system when the job needs them.

ColumnWhat to recordFilled example
SceneThe script scene or content block.Workshop
Shot IDA stable reference that survives reordering.W-03
Action / descriptionExactly what the camera should capture.Hands lower the lamp onto the bench.
Purpose / coverageWhy the edit needs this shot.Reveal the repaired object.
Framing / angleShot size and camera relationship.Close-up, eye level.
MovementThe intended camera move.Static.
Lens / gearVerified lens and equipment requirements.Chosen macro lens; locked tripod.
Setup / locationThe setup label and actual shooting space.Bench setup, verified workshop.
PerformersWho is needed for the frame or performance.Maker’s hands.
SoundDialogue, sync sound or intended audio handling.Record clean object placement sound.
PriorityMust-have or optional, decided by the team.Must-have.
StatusThe crew’s actual capture record.Pending.

Scene and shot references, description, framing, movement, lens and equipment are established shot-list details in StudioBinder’s official guide. Purpose, priority and status make this compact template useful as an editing-coverage checklist. Keep IDs stable when shooting order changes; “captured” here is a manual status, not proof that the take is usable.

Write the action clearly.

“Close-up” describes framing, not the event. Add the gesture, object or line that must appear. An editor should be able to understand what coverage was intended from the description alone.

Group by real setup.

Put shots that share a location and lighting arrangement together when the team judges it practical. Do not assume this automatically produces the fastest schedule; actor availability, continuity and access can change the order.

Review the must-haves.

A wide context shot, an action shot and a detail can serve different editing needs. Their necessity depends on the actual brief and scene. Use the purpose field to explain the coverage rather than assigning an invented quality score.

Record the remaining work.

Use Pending, Captured or Pickup. Write why a pickup is required in the notes. The checklist reports your entries; it does not inspect footage, infer approval or verify continuity.

The best home depends
on the production.

StudioBinder: detailed production shot lists

Its documented shot-list workflow supports technical fields, reference images, scene-based lists and PDF generation. Current support notes specify JPG and PNG reference uploads. Choose it when the shot list belongs inside a broader production system. Check your required plan and import limits rather than assuming every capability is free. Current shot-list help, official film template.

Milanote: visual references beside the shots

Its shot-list guide connects scene references, individual shots, extra notes and a gear list. Choose it when the visual explanation is as important as the tabular checklist. Keep each reference’s purpose explicit and cross-check the gear against the planned shots. Official shot-list guide.

Storyflow: a draft connected to the board

The shot-list page documents AI drafting from script or scene context alongside a visual plan. Treat the output as a starting draft: check coverage, real equipment and production details before shooting. Official generator page.

That page’s broad free wording must be read against the explicit pricing availability statement checked October 5, 2026: standalone access is paid-only during early access, invited collaboration is free today, and standalone Free is announced for before the end of 2026. No signup test was performed.

This builder: a portable manual checklist

Choose the local tool below when you want a lightweight list you can edit here or in a spreadsheet. ExcelJS 4.4.0 produces an actual XLSX workbook with the twelve shot columns, full notes, frozen headers and filtering. It does not generate shot ideas, synchronize a crew or replace a call sheet.

Product capabilities are drawn from official documentation checked October 5, 2026. Recommendations are editorial judgments, not account tests or measured efficiency claims.

Plan it.
Review it.
Update it.

Start with the deliverable.

Read the brief and script. List the moments the edit must communicate, then choose shots that actually cover those moments. A template cannot decide the story for you.

Walk the setup with the crew.

Review framing, movement, lens, sound and performer requirements together. Use confirmed location details and practical access. Resolve an equipment question before turning it into a requirement.

Leave a useful capture record.

Update the status and full notes on set. A missing detail should become a named pickup, not a vague memory. Save a versioned workbook or JSON before closing this page.

A workshop demonstration

Show the space, the making action and the finished object. Give each shot a coverage purpose rather than relying on three attractive frames.

Original illustrative examples, not tested productions.

Before the crew arrives

Verify performer availability, the actual location and the equipment list. Keep addresses and personal contact details in the appropriate controlled production document, rather than a widely shared creative board.

When the order changes

Reorder the rows while retaining shot IDs. The builder does not optimize a schedule. Check continuity, light, access and performance constraints before choosing a new order.

When a take needs repeating

Mark Pickup and explain the missing action, framing, sound or performance in full notes. A status count identifies entered work; it does not judge the media.

Your shot list.
Ready for the next setup.

Load the original example, enter your own shots, track status and export the complete workbook. The visible filter does not remove shots from exports. XLSX import accepts this builder’s workbook structure and validates the full candidate before replacing your draft.

Load the example or add a shot to begin.

ExcelJS 4.4.0, MIT, creates and reads the workbook locally. There is no implemented upload or browser autosave; save before closing. XLSX contains Shots and Project sheets; Project retains full notes and the format marker required for restore. Shot cells are stored as text, not executable formulas. This importer rejects formulas, rich text, hyperlinks and unknown structures rather than guessing a mapping. Very long cells can be awkward to read in spreadsheet software; their full text is retained in JSON and Markdown. No schedule optimization, footage analysis or approval is inferred.

Useful distinctions

Is a shot list the same as a storyboard?

A storyboard visualizes the planned sequence; a shot list records individual capture requirements. Use both when a drawing or reference explains something the text cannot. This builder stores a textual checklist rather than generating storyboard images.

Do I need exactly twelve columns?

No. This is a compact starting framework. Separate camera bodies, frame rate, sensor, lighting, take counts or timing when your production needs those records. Do not fill unused fields with invented values just to complete the grid.

Can I restore any Excel file?

No. Restore accepts this builder’s two-sheet format with its exact twelve headers and project marker. Unknown columns, formulas and invalid statuses are rejected while your current draft stays intact. Save JSON as the simplest full backup.

Does Captured mean the shot is approved?

No. It is the status you enter. Check actual focus, sound, continuity and performance in the real media workflow. Record a pickup when something specific still needs capture.

Prepare your next video shoot with Super